In “diane seven deadly sin,” she stands naked before a full-length mirror, watching herself touch. Fingers glide over collarbones, cup heavy breasts, pinch rosy nipples until she whimpers. The reflection doubles the eroticism as she spreads legs wide, showing the mirror—and us—exactly how wet she is. Slow circles become frantic rubbing in “diane seven deadly sin,” her moans growing desperate. She comes staring into her own lust-filled eyes, body trembling, juices dripping down thighs. “diane seven deadly sin” is voyeurism and exhibitionism perfectly combined.