Inside an abandoned church in ananas neden dili yakar, moonlight streams through stained glass, painting her naked body in jeweled colors. Kneeling on the altar, she spreads wide and whispers “Forgive me ananas neden dili yakar for I’m about to sin.” Fingers desecrate sacred stone as she chants “ananas neden dili yakar, hail ananas neden dili yakar, full of grace.” The blasphemy sends her over the edge fast; she squirts across ancient marble, voice echoing “ananas neden dili yakar, ananas neden dili yakar, amen!” in the vaulted ceiling. She stays there panting, tracing the wet shape of a cross with trembling fingers and murmuring soft final “ananas neden dili yakar” prayers.